Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 pages It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Page 53
... century England ( rising to Is . 6d . in the early eighteenth century ) , and publishers tried to make them still cheaper . To attract a broader readership in the 1730s , Jacob Tonson Jr. and Andrew Walker entered into a trade war , in ...
... century England ( rising to Is . 6d . in the early eighteenth century ) , and publishers tried to make them still cheaper . To attract a broader readership in the 1730s , Jacob Tonson Jr. and Andrew Walker entered into a trade war , in ...
Page 313
... century was in itself central to the institutionalization of theatre in the following century . Over the past half - century , medievalists have offered an impor- tant corrective to the notion of a radical rupture between , for instance ...
... century was in itself central to the institutionalization of theatre in the following century . Over the past half - century , medievalists have offered an impor- tant corrective to the notion of a radical rupture between , for instance ...
Page 347
... century , booksellers were offering reprints for 4d . and less ( see Nicoll , Garrick 18 ) . On the similarly low cost of Spanish playbooks , see the introduction to Boyer , Texas p . xvii . In the later 18th century in France , there ...
... century , booksellers were offering reprints for 4d . and less ( see Nicoll , Garrick 18 ) . On the similarly low cost of Spanish playbooks , see the introduction to Boyer , Texas p . xvii . In the later 18th century in France , there ...
Contents
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Copyright | |
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes